The music world is abuzz with the highly anticipated release of Riky Rick’s posthumous album, Boss Zonke Forever. The South African rapper’s untimely passing in 2022 left fans reeling, but the promise of new music has brought a mix of excitement and melancholy. As we delve into the world of posthumous albums, it’s essential to examine the benefits and drawbacks of these releases, both for the artist’s legacy and their loved ones.
Posthumous albums can be a beautiful way to honour an artist’s memory and provide closure for fans. These releases often Provide a sense of completion to the fans as we get to experience the artist’s final creative output, which can be a comforting thought or just a way to relive the artist through his body of work. I’m definitely excited about it and have already presaved it on my Spotify, they have released one new track called Raindrops which to my music taste, I really like it, it’s definitely something Riky created himself and something he has already played and previewed on SABC Rise of Riky Rick, four years ago when he was performing some unreleased songs and this was one of the ones that a lot of people were looking forward to. The posthumous can be beneficial to the family of Ricky as his Royalties from posthumous albums can provide financial support for the artist’s loved ones since his passing in 2023.
If we are to shift to the “dark side” of posthumous albums, not all posthumous albums are created equal. Some labels and industry professionals exploit these releases for financial gain, disregarding the artist’s original vision and intentions. This can lead to exploitation as labels may release subpar or unfinished material solely for profit, tarnishing the artist’s legacy. Does it make it right that they are releasing his songs without his sign-off, yes he may have wanted to release a body of work before he left the game but who gave the approval and the go-ahead to release it? How much of the family’s input was involved in the release of this? These are all questions I ask myself as Rick was big on family going back to the Raindrops track he says “If I ain’t doing it for the fam, what am I doing it for?” Another factor can be the emotional distress for the artist’s family. The constant release of new material can be overwhelming and painful for the artist’s loved ones. His wife and two kids who long for their father now have to deal with the pain of remembering him again through his music, listening to the music for the first time like us fans to hear the traumas he dealt with that he could only vocalise through his music. Isn’t that opening up old wounds for them? Are we as Ricardo’s fans putting aside the family’s feelings because we want SA hip-hop to be hot again. Another eyebrow-raiser is some of the features on this album particularly for me being Track 13 – Emotions by Riky Rick ft. Cassper Nyovest. No doubt that those two were inseparable seven years ago with Stay Shining being the most recent collaboration with 2.7 million views on YouTube. The two hadn’t had any collaborations since then, even when Cassper had been releasing new albums, not a single feature with Riky but he pops up post his death. This is a move Riky Rick wouldn’t take himself I would say being a Riky fan since 2014, with great features like Blxckie, 25k , K.Keed and the questionable Cassper Nyovest, I hope Boss Zonke Forever becomes a hit and his name is not dragged in the mud in hopes to bring back the culture. I will leave you with this question, if this album is a success do you think we’ll get a Posthumous from AKA?
In conclusion, the release of Boss Zonke Forever is a complex emotional experience for fans and Riky Rick’s family. On one hand, the album promises to deliver new music from a beloved artist, providing a sense of closure and completion. On the other hand, the posthumous nature of the release raises questions about the label’s motivations and the potential exploitation of Riky Rick’s legacy and decision making on his behalf.
As we celebrate the life and music of Riky Rick, it’s essential to acknowledge the complexities surrounding posthumous albums. While these releases can be a beautiful tribute to an artist’s memory, they can also be exploited for financial gain. Let’s hope that Boss Zonke Forever is a genuine celebration of Riky Rick’s artistry and legacy, rather than a cynical attempt to profit from his passing and in the words of the infamous Cotton Eater; “ We don’t die, we multiply”. Long live Makhado Long live!
